BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.5.8//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news39@musikwissenschaft.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20191114T105731 DTSTART;TZID=Europe/Zurich:20181120T181500 SUMMARY:MWS Vortrag DESCRIPTION:This lecture will present an illustrated overview of current re search on the central role of music in the lives of women religious\, focu sing on the twelfth to the fifteenth century. Whether Augustinian\, Benedi ctine\, Bridgettine\, Cistercian\, Dominican\, or Franciscan\, nuns spent much of the day singing the divine office in services that corresponded es sentially to the hours prescribed by the Rule of Benedict. Many women’s communities had distinctive chant repertories\; twelfth-century examples i nclude the music of Hildegard of Bingen and the liturgy of the Paraclete u nder abbess Heloise. Manuscripts of the thirteenth to fifteenth centuries preserve the particular music and liturgy of Bridgettine\, Franciscan\, an d Dominican communities. Susan Boynton is Professor of Historical Musicolo gy at Columbia University\, writes on medieval Latin liturgy\, chant\, and monasticism\, music and childhood\, liturgical drama\, troubadour song. S he is the author of Silent Music: Medieval Song and the Construc-tion of H istory in Eighteenth-Century Spain (Oxford University Press\, 2011) and Sh aping a Monastic Identity: Liturgy and History at the Imperial Abbey of Fa rfa\, 1000-1125 (Cornell University Press\, 2006). She has coedited From D ead of Night to End of Day: The Medieval Customs of Cluny with Isabelle Co chelin (Brepols\, 2005)\; Musical Childhoods and the Cultures of Youth wit h Roe-Min Kok (Wesleyan University Press\, 2006)\; Young Choristers\, 65 0-1700\, with Eric Rice (Boydell and Brewer\, 2008)\, and two vol umes with Diane J. Reilly: The Practice of the Bible in the Middle Ages: P roduction\, Reception\, and Performance in Western Christianity (Columbia University Press\, 2011)\, and Resounding Images: Medieval Intersections o f Art\, Music\, and Sound (Brepols\, 2015). Boynton is currently serving a s Resident Faculty Director of the Institute for Ideas and Imagination at the Columbia Global Center in Paris. X-ALT-DESC:

This lecture will present an illustrated overview of current research on the central role of music in the lives of women religious\, f ocusing on the twelfth to the fifteenth century. Whether Augustinian\, Ben edictine\, Bridgettine\, Cistercian\, Dominican\, or Franciscan\, nuns spe nt much of the day singing the divine office in services that corresponded essentially to the hours prescribed by the Rule of Benedict. Many women ’s communities had distinctive chant repertories\; twelfth-century examp les include the music of Hildegard of Bingen and the liturgy of the Paracl ete under abbess Heloise. Manuscripts of the thirteenth to fifteenth centu ries preserve the particular music and liturgy of Bridgettine\, Franciscan \, and Dominican communities.

Susan Boynton is Professo r of Historical Musicology at Columbia University\, writes on medieval Lat in liturgy\, chant\, and monasticism\, music and childhood\, liturgical dr ama\, troubadour song. She is the author of Silent Music: Medieval Song and the Construc-tion of History in Eighteenth-Century Spain (Oxford University Press\, 2011) and Shaping a Monastic Identity: Liturgy and H istory at the Imperial Abbey of Farfa\, 1000-1125 (Cornell University Press\, 2006). She has coedited From Dead of Night to End of Day: The M edieval Customs of Cluny with Isabelle Cochelin (Brepols\, 2005)\; Musical Childhoods and the Cultures of Youth with Roe-Min Kok (Wesleya n University Press\, 2006)\; Young Choristers\, 650-1700\, with Eric Rice (Boydell and Brewer\, 2008)\, and two volumes wit h Diane J. Reilly: The Practice of the Bible in the Middle Ages: Produc tion\, Reception\, and Performance in Western Christianity (Columbia U niversity Press\, 2011)\, and Resounding Images: Medieval Intersections of Art\, Music\, and Sound (Brepols\, 2015). Boynton is currently ser ving as Resident Faculty Director of the Institute for Ideas and Imaginati on at the Columbia Global Center in Paris.

END:VEVENT END:VCALENDAR